- The Sand Trap Foot Fetish Position
- Sand Trap Setup Techniques
- Sand Trap Erotic Techniques and Illustration #2
- Humiliation and Dominance Factors
- Foot Fetish Traits
- Sand Trap Additional Guidance
- Transitions into other Footsutra positions
Sand Trap Erotic Techniques and Illustration #2
Foot fetish erotic techniques are specific movements, taunts, or actions that occur inside the position that leads to forced orgasm.
Erotic techniques are usually discovered during spontaneous sexual play. That being said, you can discover your own erotic techniques as an exploration of the position. Foot fetish erotic techniques can be discovered in the wild and also were discovered when I and Nessy continued exploring the positions.
Erotic Technique #1: Synchronicity
Once the Sand Trap is achieved, the girl begins the Synchronicity technique. This erotic technique is achieved by the girl slapping one foot simultaneously into the boy’s face, one by one. At the same time, the girl strokes his penis each time one of her feet connects to his face. See below:
The Sand Trap position is more unique than some of the others. This position gives the girl more control over her feet, as well as more freedom. The girl possesses a free reign of control over the boy’s face versus other variants in this position. It is easier for the girl to move her feet around on the boy’s face. Furthermore, this position makes it easier for her to slap, squeeze, and rub his face with her feet.
There is some control utilization where the girl has her arms wrapped around the boy’s legs to prevent movement. Also, with the girl’s legs in this position, she may squeeze his diaphragm and restrict breathing. Using her feet, the girl creates what I like to call Synchronicity, where the girl can simultaneously slap his face with her feet. One-by-one, her soles slam into his face. This results in moaning and allows her to shove her toes into his mouth.
Furthermore, the girl may also create a “Foot Sandwich” where the girl places the sole of one of her feet on his face and moves her other foot behind his head. One of her soles presses onto the front, while the top of her other foot pushes against his head.
Also, depending on the girl’s flexibility, she may arc her foot and shove one foot down his mouth. Using her toes first while her other foot remains at the back of his head. If successful, the girl then moves his lips up and down her foot or makes him suck harder on her toes in his mouth.
Illustrations #3 and #4
Erotic Technique #2: The Fountain
The Fountain technique is a very pleasurable form of punishment should the boy continue to resist or struggle. While using the methods and suggestions above (to restrict breathing), the girl may choose to remove his pants or zip them down. If his erect penis becomes exposed, this enables the girl to use The Fountain technique. This unique technique can only be achieved if the boy is naked and has his penis exposed.
Using a combination of Synchronicity, the girl strokes his penis and perhaps spits into her hand to allow for easier stroking. Depending on flexibility, the girl may give him oral in this position.
The second erotic technique, The Fountain, gets the name of a boy achieving orgasm in this position. If the boy orgasms from continuous foot pleasure to his face and her stroking his penis, his cum will shoot up, like a fountain. Furthermore, the girl can aim his penis to shoot the cum in the direction she desires.
Humiliation and Dominance Factors
Both humiliation and dominance factors play roles in the Sand Trap foot fetish position; as well as play roles across all Footsutra positions. Here, I apply the humiliation and dominance factors to the Sand Trap.
A humiliation level of three for the Sand Trap arises from the boy’s potentially exposed penis. Since this represents the flipped version of the Guillotine (although, in this position, both the boy and girl are flat on the ground), the boy’s penis exposes itself if not wearing clothes. In contrast, in the Guillotine, despite the boy being naked, his penis hides from view from the girl and any other onlooker.
This is not the case in the Sand Trap. All the while, the girl’s feet cover the boy’s face while she slaps, rubs, and makes him inhale her scent and stare at her soles. Also, stroking the boy increases the humiliation level due to feeling exposed. Lastly, being flipped over by a girl alone provides a degree of humiliation since flipping heightens the appearance of a control by the girl. Both humiliation and power/control represent two compelling sexual motivators regardless of the sexual act performed.
The dominance level of four in the Sand Trap arises from the girl’s ability to restrict breathing using her legs. In this position, as similarly seen in the Guillotine, the girl’s legs are around his rib cage or diaphragm. Should the girl elect to squeeze his chest with her legs, his breathing would be limited.
For example, if the boy still struggles in this position, the legs’ squeezing is recommended to demand obedience to the position. Obedience, control, and restriction increase the pleasure experienced and may lead him closer to orgasm.
Foot Fetish Traits
The Footsutra continuously explores three unique traits that apply across all positions. These three traits are strength, confidence, and trust, without which any Footsutra position or technique may fail.
The Sand Trap position relies on strength for the girl to restrict and limit the boy’s movement. The girl uses her thigh/leg muscles to press into his diaphragm and restrict breathing through pressure. In turn, this elicits more control. Furthermore, if the girl possesses strength in her arms, she wraps her arms around the boy’s legs.
Thus, holding them in place. While the drawings show the girl wrapping her arms in a certain way, there are other ways to restrict movement. Furthermore, the Sand Trap’s strength enables the girl to rotate the boy left or right or keep him still. It is possible to flip the boy 180 degrees into a different Guillotine type where the boy lies flat on his stomach instead of all fours.
Since this position possesses the ability to limit breathing but not necessarily restrict breathing entirely, a degree of trust, or safe words, may be needed. However, it is theoretically possible for the girl to restrict breathing by pressing the soles of her feet into his face and covering the nose and mouth used in a breath.
The Sand Trap position does depend on some level of confidence, just like all Footsutra positions. This is where femdom comes into play. Even before the position begins, and during the position itself, the girl must have confidence in executing the position effectively. If the girl starts to question herself or ask the boy if she is doing the position correctly, this is a turn-off (well, it is for me anyway).
The key to confidence, especially in a trap such as this position, is taunting. Taunting will use verbal and non-verbal commands to rely on the message that the girl is in charge. Also, being rude, mean, or hateful demonstrates confidence and the ability to execute the position flawlessly. As confidence rises, more augmented and enhanced methods of restrictions occur, such as tying his hands behind his back before the Sand Trap.
Note about augmentation, enhancements, and restrictions: Such acts through handcuffs, rope, or other forms of bondage, including ball gags, masks, blindfolds, and others, require a high level of both confidence and trust. However, the use of such augmentation, enhancements, and restrictions may drastically increase the amount of pleasure received. For example, many sexual initiations result from a play, such as play wrestling or play fighting.
Sand Trap Additional Guidance
Each Footsutra position discusses some of the best sexual practices, settings, and guidelines. The Sand Trap is no exception and here we explore these important concepts.
Remember, this position exhibits a higher level of dominance by the girl and commands demonstrations. Further control may be achieved if the girl were to cuff the boy’s ankles together, or better yet, cuff his hands behind his back (only in this position). Therefore, with the boy unable to move his legs or arms/wrists, this gives the girl more time to focus on using her feet and stroking him rather than worrying about keeping him under her control.
The Sand Trap is a universal control position, where no matter how the boy tries to escape, another Footsutra position waits for him. Vocal demands and the girl exhibiting vocal power is also important. For example, issuing taunts, insults, and other statements can increase pleasure.
Settings and Locations
Location does matter for foreplay and is argued to be just as important as the foreplay itself. However, this position can exceed foreplay if it led to orgasm via one of the techniques described above or discovered yourself via sexual play. Some of the more abnormal settings, such as a dressing room, park, or another, may elicit higher sexual responses and pleasure due to the risk of performing such acts.
That is not to say home, apartment, or condo settings are annoying, but the risk can heighten the pleasure experienced. As described in the Guillotine article, playing the Humiliation Entertainment game in abnormal settings is one of the most erotic experiences someone or a couple can experience.
Transitions into other Footsutra positions
Each Footsutra position transitions into and out of one another. Sometimes the key to maximizing pleasure if learning the best transitions for all positions. Swift transitioning from one position to another strengths control, femdom, and dominance; all the while making the boy feel humiliated and under the girl’s control.
Sand Trap position into Execution Sentence and Pyramid positions
If using this position, a fight for control occurs, or the boy has been struggling or resisting the positions. If the boy wishes to try and escape, the movement for him will be strenuous. Despite if the boy can roll back over, then the boy re-enters the Guillotine (Guillotine), although he would not be on all fours since he would roll over onto his stomach.
The Sand Trap utilizes more control, but not in terms of breathing, like the Execution Sentence. More so in terms of pinning and restricting. Likewise, this can coincide with the Pyramid, where the boy’s hands are bound behind his back. This exhibits more control with the arms/hands being useless and the legs being pinned down. This gives the girl free reign over his face with her feet.
Furthermore, she slips her feet into his mouth and uses her other foot to shove his mouth down her foot. In essence, the boy’s head can be pinned between her feet—one foot in his mouth, or on his face, and one foot behind his head.
Further restraint is achieved by making sure his wrists are cuffed, bound, or tied behind his back before the transition. With his legs wrapped in her arms, the girl has control. In turn, this leaves the boy nothing to do but suck, worship, and lick her feet with his penis pleasured.
Sand Trap position into Guillotine position
If the boy does manage to roll back over, then the Guillotine is achieved once again. If the boy rolls back over, either onto his hands and knees or stomach, both re-enter the Guillotine. The girl then uses her legs and momentum to flip him back over into the Sand Trap.
This will wear him down and escape harder to accomplish—the more successful transitions between Guillotine positions, the more humiliation, and embarrassment the man experiences.
Sometimes the best use of the Guillotine is by surprise or caught off-guard. And rolling into the Sand Trap is a great way to find a surprise, especially if the binding is a part of the position as seen in the Pyramid.
While the Guillotine position is good, switching and changing the routine may be better. It is best practice to continue changing stances and taunts every so often. Why? Because stationary, continuous, repetitive behavior is tiresome. This applies to sexual encounters of any nature. The Footsutra suggests trial and error see which positions, taunts, or descriptions create the most pleasure.